6 Comments

Thank you, Joan. Your comments on Dungan and Murray are insightful. Dungan seems to have good ideas without being too sure how to present them whereas Murray's plays are organic and tight, and build to a dramatic conclusion. I hope she'll bring something new to the stage soon.

My lips are sealed!

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Thanks so much Chris. I'm wavering . . . but yes, as you say reading/studying scripts can help me learn some of the techniques needed for drama. So I'll let you know how it goes!

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I think you should go for it, Aisling! I am sure you would write a good play. From my own limited study of theatrical texts, I can say that at very least, the study itself helps us in all forms of writing, as one gets a renewed appreciation for how dialogue functions compared to description (whether in prose or stage notes), and the relevant decisions that authors and playwrights must make due to the visual support or lack thereof. Another great essay, thanks very much!

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I so enjoyed this piece.It articulated what I feel about good theatre but could’nt put into words.I think Ross Dungan is a bad playwright.He does not have theatrical dialogue.His workshops are a nightmare.! Every actor struggles with his lines. Erica Murray ,I think has structure and Rythnm.So glad I have your words now to articulate my feelings!! Do’nt let Emma know how I feel about her friend’s writing.

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Go raibh mile maith agat, Colman. I love your description of the dramatic setting where you read the newsletter. Glad you liked it. Enjoy your time on Achill, snot-green sea notwithstanding! All the best, Aisling

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Iontach and insightful - perfect read in the shadow of mist-laden Slievemore on Achill, after a snot-green Hallowe'en swim at the Golden Strand.

Le gach dea-mhéin, Colman

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